With each other; spirit body soul
All left behind, our hearts at rest
let’s hand in hand take a dusk stroll
through the scented mystical forest.
Let the breeze blow against our faces
watching beautiful butterflies flutter by
as we, gracefully move
along the ageless footpath
Stop. for a while let’s be silent…
so our spirits may speak
to each other till they are one.
Guide me to you, your inner self
as I, wholly unfold bare myself.
Some speak of whirlwinds, earthquakes
others desire erupting volcanoes
but let ours be a cool calm river.
May we be cascading waters that wind
smoothly in sync with contiguous nature
with strongest of bonds and same mind
enjoying each point of the adventure
taking the bends when we can
picking up momentum
as we draw nigh to the cliff.
May we plunge as a waterfall
down that ancient rock
into blissful oblivion imbibing
the bubble moment midair.
Only to fall down below
to resume our smooth flow
May our heartbeat be the percussion
in the celebration that’s this fusion,
may it play a steady tempo
to our soulful music legato
yet let the energy build into a crescendo
only to quieten back down into a…
sweet soft symphony
May ours be a river
Music played Legato.
© Joseph Berunga
Friday, August 19, 2011
Every Monday as the day gets a little less daylight and weary drivers rush by to get home, a determined group of artists pops in through the maroon gates. Their mood is upbeat because for them their day is just about to begin. They will always find time to gather up in a close brethren-like but totally cool circle, literally. There is everybody in this midst, from the school teacher, to the journalist, to the psychologist and the actor. Many come because they are passionate about reading and writing.
The goal of the readers/writers club is to be a writer’s peer review forum and the converging point for beginning, shy and definitely established writers. The club has been holding sessions every Monday at 5:30pm for over 5 years at the FEMRITE offices. Writers submit their work so that it is critiqued by fellow writers and readers.
There’s no room for ‘dis-literaturerisation’ at this place. If you say you can write, then those who read will approve. But not before telling you exactly what they think of your writing style. That is how club embraces and tries to better Ugandan writers. We try to keep things interesting by having our own writing competitions.
We’ve gone through it all, from badly written work to a downturn in numbers and a resurgence. But club has stayed true to being committed to creative writing. It even managed to survive the global economic downturn!
The readers/writers club has hosted big names from Prof. Taban to Prof. Austin Bukenya to graduate students from Europe wanting our good opinion about writers and writing in Uganda. We tell them we are all struggling to get published. Ah the life of a Ugandan writer…
We have reviewed every literary material from half done novels, to hilarious stories and lamentable poetry. If you can write we can give you an opinion on how bad or good you are.
But we try to take things a little more slowly because we know there is always that lighthearted moment of well earned evening tea to wrap up a short but meaningful day.
To find out more about joining the readers/writers club and FEMRITE log on to www.femriteug.org or send an e-mail to email@example.com
|Some club members at the Monday meeting|
Wednesday, August 17, 2011
Finally, the National Curriculum Development Centre (NCDC) has declared that it will start a section of Ugandan Literature for the O’ and A’level syllabus. “Uganda has followed the colonial system of education since its inception,” Ms Angella Kyagaba, the Head of Literature and English Language at NCDC, stated. This was at a literature seminar that was organized by Uganda Women Writers Association and the Uganda Publishers Association (UPA) at the Uganda Museum on 6th July 2011 during the FEMRITE Week of Literary Activities.
The seminar was a follow up on many activities in which Ugandan Writers and publishers have continued to lobby the Ministry of Education and Sports and the National Curriculum Development Centre, to include more Ugandan literature on the school syllabus.
At the seminar, writers complained that the concerned institutions have continued to neglect Ugandan literature. They argued that Uganda’s literary heritage will not develop if policy makers continue to promote other literatures at the expense of home grown literature. When Ms Kyagaba said that Shakespeare will continue to dominate the syllabus because he is the King of drama, participants asked her to instead think of grooming the King of Ugandan drama. It is very important that Ugandan literature is given space in school which where it can be read and debated.
Up till 2006, there were only 4 Ugandan authors on syllabus. Okot Pbitek (Song of Lawino), John Ruganda (The Floods and The Burdens), Timothy Wangusa (Upon this Mountain), and Arthur Gakwandi (Kosiya Kifefe). It is worth noting that since then, more Ugandan books have been included on the syllabus. However, the structure of the syllabus is in such a way that these books are lumped with books from the rest of Africa and the rest of the world. A teacher therefore chooses what text to teach. In most cases, they choose the books that they are familiar with, those that they studied while at school. The students too prefer the familiar books such as Wuthering Heights by Emily Bronte, Lord of the Flies by William Golding, Merchant of Venice by Shakespeare, Darkness at Noon by Arthur Koestler, Animal Farm by George Orwell, and many others. Sadly Ugandan books remain unfamiliar.
By no means, however, do the advocates for Ugandan literature agitate for the removal of these great books. No. Instead, they are asking for deliberate inclusion of Ugandan books. Books such as For the Fairest by Ulysses Chuka, Cassandra by Violet Barungi, Echoes of her Voice by Rosemary Kyarimpa, Secrets No More by Goretti Kyomuhendo and others are unfamiliar in the Ugandan classroom. Beatrice Lamwaka, the Caine Prize Finalist 2011, when asked what her perception was of the texts she studied while in school, stated that she thought that all writers were white and dead. She was surprised when she met Ben Okri, bubbling with life. It is important for Ugandan children to know that writing is not a preserve of a select group but a venture that Ugandans too have indulged in.
The reason Ugandan publishers and writers jubilated when Ms. Kyagaba, on behalf of the NCDC agreed to their request of establishing a section of Ugandan literature was because once that is established, the competition will be between Ugandan books alone. The section will have only Ugandan authored books. This is a break through for the publishers and writers. Ms Kyagaba added that as NCDC, they will also ensure that the selection of set books for this section is gender balanced.
source: WORDRITE e-journal issues 6 (c) FEMRITE Publications
Monday, August 15, 2011
British Council Uganda in partnership with Uganda Women Writers Association (FEMRITE) is organising creative arts workshops that will run from 15 - 17 September at the Ugandan Museum.
These workshops will be facilitated by Judith Adong, Beatrice Lamwaka and Angela Emurwon and Beverley Nambozo who have all recently won accolades for their work.
The purpose of the workshop is to assist upcoming writers develop effective writing skills. Furthermore, this is also an opportunity to review, evaluate, and improve material that you have produced.
The genres that will be the focus of these workshops include: Playwriting, short stories, screen writing and poetry
Who can apply?
Upcoming writers, playwrights, poets with no prior experience
Anyone above 18
What’s in it for you?
A place at facilitated workshops where you will work with subject experts
The opportunity to share your work with peers
Interaction with a UK VIP who will make a brief stop to interact with participants
What do you have to do? (See guidelines for the different genres below)
Short stories – 12 places available
Submit short stories of about 2,000 words; double-spaced.
Up to three short stories will be accepted
Plays – 8 places available
Submit a one page synopsis of a play
Poems – 10 places available
Submit three poems
- Submit your work with an accompanying statement of interest and benefit to you (no more than 200 words) as follows:
Short stories firstname.lastname@example.org
Plays / film scripts - email@example.com
Poetry – firstname.lastname@example.org
- The mentors will select and announce the final winners by 07 September 2011
- Should you be selected, you will need to be available to attend the workshops from 15 -17 September 2011
DEADLINE FOR SUBMISSION IS 31ST AUGUST 2011
Posted By In2EastAfrica On August 14, 2011 (7:03 pm) In Culture
Never Too Late, a book by FEMRITE — a group of Ugandan women writers — is an anthology featuring stories of daily youth struggles and experiences. The stories, all set in Uganda, offer insights into the emotional confusion and social challenges facing the youth and that often remain unknown to adults.
The anthology was born out of a desire by FEMRITE to generate literature for positive change aimed at addressing social issues facing not just the youth but society at large.
Although the stories and characters are all fictional, the stories give real-life experiences from around the world as seen from the themes.
The book tackles the themes of sex and sexuality, courage and ambition, love and betrayal, religion, teenage pregnancy, homosexuality, HIV/Aids, incest, drug abuse, parental care or lack of it.
In all the stories, the young people tell their stories in the first person, which helps to bring out their emotions very well. Each story tells of a different experience and challenge. The stories go further and offer solutions through peer suggestions.
For most of the stories, the adults appear to be the cause of the problems or fail to understand their children, who are desperate for their guidance. This is a reality of everyday life.
The story The Greatest Uganda Novel explores the themes of courage and ambitions that young people ought to emulate. Although the story has a low point when the narrator’s brother dies, the narrator nevertheless weathers the loss and is determined to be a writer someday no matter how long it takes her. And she has her peers to thank who never stop encouraging her.
However, some stories pose tougher questions even when the writers attempt to provide solutions.
Three stories tackle the theme of HIV/Aids and raise serious issues since the epidemic does not seem to be abating. The issue of children born and growing up with HIV for instance, cannot be easily resolved even by adults.
The story Hope Each Day by Brenda Lubwama may temporarily give hope to people living with HIV, but the issues are complicated.
Globally, there is a generation of children growing up with HIV. How can society then deal with the problem to avoid further infection of HIV-free children as the young ones become sexually active?
Hope Each Day is a story about Sheba, once a “good” girl who belonged to the Christian Union at her school, but suddenly chooses to join a “bad” group, and acquired a boyfriend. The boyfriend, Jake, is living with HIV; in their first sexual encounter he does not use protection and infects Sheba, who only learns of his status and hers during an HIV and pregnancy test in school.
The author writes: “Sheba had taken his money and eluded him several times. He was sure that the song was going to change the tune and she would pay in full measure. As the girls enjoyed the dance, Jake secretly unrolled the paper that he had secretly kept in a small pocket at the back of his khaki trousers. His friends had told him that would do the trick… within a short time, she was drunk and out of control. Jake summoned his friends who supported her and they were out of the dance hall.”
Serina by Rose Rwakasisi is another HIV-themed tale of a young girl called Serina who is also an orphan. She faces discrimination from her paternal aunt on suspicion that she could be HIV-positive because her parents died of the disease.
Her aunt, however, does not take her for testing. Against all odds, she finds help through an outsider who assists her to get tested for HIV to verify her status. She turns out negative. Ironically, her aunt later tests HIV-positive.
This story provides pertinent lessons on HIV. That first, we should have the courage to test to know our status so that we can live positively, and second, to stop discrimination against HIV-positive persons because we could get infected and would like to be treated fairly ourselves.
However, some stories appeared to be negative. For example, Hanging Out at Dazzles by Constance Obonyo, seems to encourage young people to live a careless carefree life of partying and clubbing and expect no consequences.
The story also appears to downplay parental power over children, and implies that young people can and should have their way.
Generally, Never Too Late is a must read for all age groups as it raises questions and most times provides answers that require collective action.
By HALIMA ABDALLAH, The East African
By HALIMA ABDALLAH, The East African
Article taken from In2EastAfrica - All East African news, Headlines, Business, Tourism, Sports, Life, Entertainment and more - http://in2eastafrica.net
URL to article: http://in2eastafrica.net/
URL to article: http://in2eastafrica.net/
Wednesday, August 3, 2011
FEMRITE - Uganda Women Writers Association will hold her 3rd Regional Women Writers Residence in November 2011. This is an exciting writing programme that brings together upcoming African women writers. The main objectives of the residence are:
- To give African women conducive space and time to write
- To create opportunities for inter-cultural discourse among women writers
- To strengthen collaboration among women writers’ initiatives in Africa
- To generate short stories for publication in an anthology
At the end of the residence, we expect that the writers:
- Will have improved at least one of their manuscripts
- Will have enriched each other’s manuscripts through discussion
- Will have submitted their improved short story for the residence anthology
How to apply for the 3rd Regional Residence
Interested women are required to submit;
- Part of a Novel / Short Story collection in WORD Document (30 pages, typed in Times New Roman, font 12, 1.5 spacing).
- A short story for publication in the Residence Anthology (if it is an already published story, the author must seek permissions for reproduction).
This call is open to African women living on the continent. Writers already attached to writers associations in their countries will be given first priority.
Deadline for submissions is 20th August 2011
- All applicants will receive notification by email once their manuscripts are received.
- The Residence targets 15 writers
- The Residence will last two weeks in November 2011
- Successful applicants will be given details of dates, travel, and accommodation by 30th August 2011.
FEMRITE wishes you all best towards widening women’s writing space on the African continent.
FEMRITE is very grateful to the following for their support towards the success of the last two regional residences.
- The Commonwealth Foundation
- The Swedish Institute
- The Caravan Journal
- Dr Helen Moffet (South Africa)
- Erik Falk (Sweden)
- Kerstin Norborg (Sweden)
- Birgitta Wallin (Sweden)
- Dr Patrick Mangeni (Uganda)
- Prof Arthur Gakwandi (Uganda)
Participants for the 1st Residence:
Betty Mukashema (Rwanda), Kingwa Kamencu (Kenya), Yaba Baedo (Ghana), Colleen Higgs (South Africa), Yemodish Bekele (Ethiopia), Olivia Jembere (Zimbabwe), and Lillian Tindyebwa, Sophie Alal, Philomena Rwabukuku, Margaret Ntakalimaze, Winnie Munyarugerero (Uganda).
Participants for the 2nd Residence:
Elieshi Lema (Tanzania), Mamle Kabu (Ghana), Mary Sililo (Zambia), Ketinah Muringaniza (Zimbabwe), Wame Molefhe (Botswana), and Beatrice Lamwaka, Lillian Tindyebwa, Constance Obonyo, Linda Lillian and Elizabeth Namakula (Uganda).
Tuesday, August 2, 2011
The third edition of the Beverley Nambozo Poetry Award was held on Friday 1st July 2011 and naturally poetry was on show and the event’s activities did not disappoint.
This years’ winner was Sanyu Kisaka, a student who has recently completed her secondary school education. Second place was taken by Rachel Kunihira and the third winner was Flavia Kabuye who is also a member of FEMRITE and recently had her first maiden story published in an anthology; Never too Late. The theme this time round was hope and according to the judges each of the three winning poems had spunk, style and a fresh version of the theme.
|Beverley Nambozo (R) with the guest of honour Hon. Joyce Mpanga (L)|
The guest of honour Hon. Joyce Mpanga was thoroughly impressed by the award’s founder; Beverley Nambozo and how much energy she had put into making the event successful.
This year also saw the number of submissions double and included entrants from outside Uganda.
|some of the attendees enjoy a poetry perfomance|
The ceremony also included performances from last year’s winner, Sophie Alal and the 2011 Caine Prize Nominee, Beatrice Lamwaka who read an excerpt from her short listed story ‘Butterfly Dreams’. Also performing was Susan Kerunen, doing Okot p’Bitek’s ‘song of lawino’.
|Beverly Nambozo (L) with the winner Sanyu Kisaka (R)|
Many writers can only dream of basking in glory for the continents top literary prize; the Caine Prize. This year Uganda was proud to have one of her writers, Beatrice Lamwaka, on the shortlist. She is the 3rd Ugandan to be shortlisted for the prize. Over 130 stories from 17 African countries were submitted but only 5 made the cut.
Her short story ‘Butterfly Dreams’ from the anthology ‘Butterfly Dreams and other short stories from Uganda’ was published by Critical, Cultural and Communications Press, Nottingham (UK), 2010.
Butterfly Dreams is about a family that has been waiting for 5 years for their daughter Lamunu to return home after being kidnapped by the LRA rebels. Her family buried her spirit when word went out that she would not be returning home. But Lamunu is returned home though traumatised, changed but still determined to follow her dreams.
What does this mean for Beatrice? Getting shortlisted for the Caine Prize has given her confidence to declare that she is a writer by profession.
For now she wants to focus on her manuscript for a first novel. Writing short stories has helped her grow as a writer but now she is ready for even bigger things.
Beatrice has published a number of short stories and poems in different FEMRITE anthologies including ‘The Hair Cut’ her latest story in the new FEMRITE anthology ‘Never too Late’.
A teacher by profession, she never really practiced teaching but instead opted to focus on her writing and doing research work. This is the second time that Beatrice has been shortlisted for a writing award. The first was for the PEN/Studzinski Literary Award for her story ‘The star in my Camp’.
According to her getting on the Caine Prize shortlist is as good as it gets because of the exposure given to African writers. Agents and publishers pick interest in your writing work.
Lamwaka is the Treasurer of Uganda Women Writers’ Association and a freelance writer with The Daily Monitor, ugpulse and the Global Press Institute. She is currently pursuing an MA in Human Rights at Makerere University where she also graduated with a BA in English Language and Literature.
Shortlisted along with Beatrice were: NoViolet Bulawayo (Zimbabwe), Tim Keegan (South Africa), Lauri Kubuitsile (Botswana), David Medalie (South Africa).
The Caine Prize, now in its 12th year is widely regarded as Africa’s leading literary award with a cash prize of 10,000 ritish pounds. It is awarded to a short story by an African writer published in English whether in Africa or elsewhere.
The prize was first awarded in 2000 and the winner was announced at the Zimbabwe book fair. This years’ winner was Zimbabwe’s NoViolet Bulawayo, for her story ‘Hitting Budapest’.